Skip to main content

Insecurities

Life can be pretty great. In my case, I have a job I love, a wife I adore, kids I care about, and a new home that still doesn't feel like mine, but it's growing on me.

I'm also really paranoid about the idea that it's a house of cards that is leaning over a precipice. Maybe it's because I talked about Peter today in my classes, reading an essay about his heart condition that I read every year. That 'Best Scar' essay is something that 1) always makes me cry, and 2) puts me in a different mind frame.

The first happens because it is most likely the best written thing I've ever done (though not without its faults), and it hurts to see how I have changed in relation to Peter. As he's grown, our personalities often clash. Part of what I weep for is the fact that I feel differently about him than when I first wrote the essay.

And that's what sets me in a different mind frame. My parenting is not particularly adroit. I run hot quickly and with little provocation. It doesn't change the hardship we went through to keep Peter alive, but it is hard to fully understand as I've grown and changed.

I'm sure there's more to my feelings of insecurity than that, but I know this is part of the issue.

Comments

Popular posts from this blog

What Awaits

Where I live, there's just enough light pollution to keep most stars at bay. How interesting it is to consider that technology can push away the ancient photograph of celestial bodies that nightly parades, moving so predictably that we long assumed the stars more permanent than kings, more powerful than rulers. Were a civilization 65 million light years away to look through its telescope at our pale blue dot, they would see the light reflected off of dinosaur hides and feathers. Maybe that's why aliens haven't visited our planet: They're afraid of our teeth. The vastness of space is so mind-boggling big that it's sometimes easier to entrench than explore, to recoil instead of redouble our efforts to learn more. That emptiness--the same sky that almost everyone I know sleeps beneath--means something different to each person. How interesting it is to consider that the immensity of the galaxy in which we live, despite its ubiquity, can mean something so separate fr...

Dark Necessities

The second of my "music video essays", I'm exploring the single from Red Hot Chili Peppers' newest album, The Getaway , "Dark Necessities". As I did before, I'm posting the video and the lyrics here on the essay, and encourage you to watch and read along. In the case of the Peppers, it's always a good idea to have the lyrics handy, as the lead singer, Anthony Kiedis, has a tendency of mumbling and/or pronouncing words uniquely to create a particular effect--or he's super high, either possibility is there.  The Set Up Here's the video: And here are the lyrics : Coming out to the light of day We got many moons than a deeper place So I keep an eye on the shadow's smile To see what it has to say You and I both know Everything must go away Ah, what do you say? Spinning off, head is on my heart It's like a bit of light and a touch of dark You got sneak attacked from the zodiac But I see your eyes spark Keep the breeze and go Blow...

Rage Against the Video Game Machine?

NOTE: If you haven't read the ' Foregrounding ' blog post or the one entitled ' Rough Draft ', please do that first. They're both short, but they matter a lot for what you're about to read. Okay. Done. Enjoy. Zach de la Rocha: "On truth devoured/Silent play in the shadow of power/A spectacle monopolized/The cameras eyes on choice disguised." Rage Against the Machine's single "Guerilla Radio" from their Battle of Los Angeles album is a reaction against the political circus and faux-choice presentations during the 2000 elections. The quote is not in full context (it is much more political than theoretical) here, but it provides a powerful starting block. A little bit of re-punctuation will help to clarify the thrust: "On truth devoured, silent play in the shadow of power [is] a spectacle [that] monopolized the cameras' eyes-on choice disguised." Line by line, we see parallels between how video games are perceived outside o...