Skip to main content

Teen Titans GO!

While I was at my writing retreat this last June, I happened upon two cartoon series that I hadn't seen before. (This isn't that surprising, since I don't watch a lot of TV programming, preferring, as many millennials do, to stream the content I want on demand.) One was The Amazing World of Gumball and the other was Teen Titans GO! It's hard to say which strikes me as the preferred one--they have differing styles, different approaches, and different animation philosophies. Nevertheless, their scattershot, random, fast-paced humor is completely on my wavelength.

Recently, I picked up four DVDs worth of Teen Titans GO! I am trying to be parsimonious with them, but it's hard not to binge watch everything. While I've seen some of the episodes before, watching them again is almost as enjoyable as the first one. I've found myself adopting some of their style of humor into my teaching, and I'm pretty sure some of my future cartooning will be influenced by the TTG style, too.

I love this. I could watch it for days. FOR DAYS!
This is interesting to me for two reasons: One, having a humorous coping mechanism can help when I'm feeling depressed, which has been hitting me harder lately than is usual. Two, it shows the ways how quickly we seek to absorb identity in a post-capitalist world.

Okay, so the second reason seems to come out of left-field (Marxist joke), but bear with me. One of the tendencies of today--a tendency that, I think, has always been there, but is more pronounced with the increase publication of our private lives--is to rely on what we consume to define who we are. Historically, identity has come through sundry avenues: Location, fealty to a ruler, based upon the trade you performed, family name. The idea that we're now who we are through our wallets is simply another permutation of existential apprehension*.

The critique here is less that I found a funny cartoon that I like and wish to emulate and more the deference (also, difference; also, differance) of willingness to explore one's identity. I don't find anything wrong with loving a silly cartoon, quasi-worshiping the Bard, or feeling pride in a sport whose origins lay in a fantasy novel. What I worry about is that I use these things about me as a replacement for me--that I'm more concerned about these aspects of what I like over who I am.

The difficult part is to extricate the one from the other. How can I say I am this, that, or the other? I use indicators of what I like to try to convey what I am and that always seems exterior. We have philosophical concepts to try to explore these things, but by their nature they are abstract. If I'm an honest man, I have to demonstrate that honesty through external markers--trying to pay for a drink that was accidentally not charged whilst getting a free taco at Rubio's, for example. I don't think one can claim that she's honest and not do honest things, but I'm not certain that doing honest things makes her honest.

I have started to incorporate this new thing that I like--Teen Titans GO!--into who I am, but I don't know if it is what I am. In many ways, I don't know what I am. I feel like an inferior Cyrano de Bergerac, listing different, witty responses: I can answer spiritually (a child of God), scientifically (starstuff), humorously (5'7" and filled with irritation), reductively (a man), or philosophically (what is personhood?). Yet they all feel incomplete. How do you get past the markers to see what someone is inside? Or are we markers all the way down?

I don't know if I have an answer here. I guess the takeaway is that I like Teen Titans GO! and I think you should watch it if you find the same things funny that I do.

---
* I mean that in both ways.

Comments

Popular posts from this blog

Teaching in Utah

The Utah State Board of Education, in tandem with the state legislature, have a new answer to the shortage of Utah teachers: a bachelor's degree and a test are sufficient qualifications for being a teacher. I have some thoughts about this recent decision, but it requires some context. Additionally, this is a very  long read, so I don't blame you if you don't finish it. Well....maybe a little. But not enough to hurt our friendship. Probably. ARLs and Endorsements Teaching is a tricky career, and not all teachers start out wanting to be in the classroom. Fortunately, there are alternatives for people to become licensed teachers who come from this camp. We have a handful of possibilities, but the two I want to focus on are ARLs (Alternative Routes to Licensure) and endorsements. Both already require the bachelor's degree as the minimum requirement, and since that doesn't change in the new law, we'll set that aside as a commonality. As additional context, h...

Dark Necessities

The second of my "music video essays", I'm exploring the single from Red Hot Chili Peppers' newest album, The Getaway , "Dark Necessities". As I did before, I'm posting the video and the lyrics here on the essay, and encourage you to watch and read along. In the case of the Peppers, it's always a good idea to have the lyrics handy, as the lead singer, Anthony Kiedis, has a tendency of mumbling and/or pronouncing words uniquely to create a particular effect--or he's super high, either possibility is there.  The Set Up Here's the video: And here are the lyrics : Coming out to the light of day We got many moons than a deeper place So I keep an eye on the shadow's smile To see what it has to say You and I both know Everything must go away Ah, what do you say? Spinning off, head is on my heart It's like a bit of light and a touch of dark You got sneak attacked from the zodiac But I see your eyes spark Keep the breeze and go Blow...

Rage Against the Video Game Machine?

NOTE: If you haven't read the ' Foregrounding ' blog post or the one entitled ' Rough Draft ', please do that first. They're both short, but they matter a lot for what you're about to read. Okay. Done. Enjoy. Zach de la Rocha: "On truth devoured/Silent play in the shadow of power/A spectacle monopolized/The cameras eyes on choice disguised." Rage Against the Machine's single "Guerilla Radio" from their Battle of Los Angeles album is a reaction against the political circus and faux-choice presentations during the 2000 elections. The quote is not in full context (it is much more political than theoretical) here, but it provides a powerful starting block. A little bit of re-punctuation will help to clarify the thrust: "On truth devoured, silent play in the shadow of power [is] a spectacle [that] monopolized the cameras' eyes-on choice disguised." Line by line, we see parallels between how video games are perceived outside o...