Skip to main content

Writing Log 9-1-12

I DID IT!

I finished my first redline pass through Writ In Blood.

I don't know if I modified my official goal of having draft 3.0 in the computer and ready for printing by Monday, but I did. I realized that the inputting of the book into the computer is going to take forever. Like, a major, major undertaking. So I shifted my goal to be done by Labor Day with the hardcopy edits. And I did it...a whole two days early.

Anyway, the reason that I changed the goal is that there's a lot of work to do; this isn't just fixing the occasional typo or mistaken homophone. There are entire chapters that need to be shifted, deleted, or expanded. I have to rewrite a major portion of the final 50 pages, tweaking it severely and losing entire swaths of text in the process. While there is one exception of a page without red on it (and that page contained a 7 word sentence, so...), I basically have to revise all 609 pages in some way or another. A lot of it is deletion of superfluous phrases. Some of it is adding a detail or emotional response. But the big thing is that I threw in on the page a triangular bracketed word or two about what I needed to change. So I'll have a phrase that I've cut, and in replacing it I merely write or something equally vague. As I input version 2.0 into the computer, I will have to stare blankly at my shibboleth and try to decipher what I meant. 

Fun times.

As a result of this changed goal, I still have major work to do. I don't know how I'm going to be able to fit editing/inputting of the new version into my schedule, since I'm still really enjoying Quidditch every Saturday. There's a bit of a deadline; a coworker told me about a conference held in May up in Salt Lake that brings New York agents and publishers here to shop around for new talent. If nothing else, it's the perfect opportunity to get the nerves out as I begin planning my writing career. At worst, it'll give me an insight into a convention of writers that's with some out-of-state talent (as opposed to the LTUE experience, which is too passive for me to really cut my teeth as a convention goer); at best, I'll get a nibble or some feedback. Well, I guess at absolute best, I get an agent/publisher.

So I have some serious juggling. With new church duties, trying to pull my weight at school, and now Quidditch, I don't know how I'll get the editing done that I need to. Add to this mix the tug to start my Master's and you can see that I have much on my plate. Perhaps too much.

But that isn't what's important right now. What is important is that I finished the first round of edits.

I think I'll take a week off. Maybe read a book.

Comments

jenerator said…
Steven. Once upon a time I was an English Language Major with an Editing Minor. I know I'm not pro or anything, but if you're interested, I'd be happy to help you editing your book. :)

Popular posts from this blog

What Awaits

Where I live, there's just enough light pollution to keep most stars at bay. How interesting it is to consider that technology can push away the ancient photograph of celestial bodies that nightly parades, moving so predictably that we long assumed the stars more permanent than kings, more powerful than rulers. Were a civilization 65 million light years away to look through its telescope at our pale blue dot, they would see the light reflected off of dinosaur hides and feathers. Maybe that's why aliens haven't visited our planet: They're afraid of our teeth. The vastness of space is so mind-boggling big that it's sometimes easier to entrench than explore, to recoil instead of redouble our efforts to learn more. That emptiness--the same sky that almost everyone I know sleeps beneath--means something different to each person. How interesting it is to consider that the immensity of the galaxy in which we live, despite its ubiquity, can mean something so separate fr...

Dark Necessities

The second of my "music video essays", I'm exploring the single from Red Hot Chili Peppers' newest album, The Getaway , "Dark Necessities". As I did before, I'm posting the video and the lyrics here on the essay, and encourage you to watch and read along. In the case of the Peppers, it's always a good idea to have the lyrics handy, as the lead singer, Anthony Kiedis, has a tendency of mumbling and/or pronouncing words uniquely to create a particular effect--or he's super high, either possibility is there.  The Set Up Here's the video: And here are the lyrics : Coming out to the light of day We got many moons than a deeper place So I keep an eye on the shadow's smile To see what it has to say You and I both know Everything must go away Ah, what do you say? Spinning off, head is on my heart It's like a bit of light and a touch of dark You got sneak attacked from the zodiac But I see your eyes spark Keep the breeze and go Blow...

Rage Against the Video Game Machine?

NOTE: If you haven't read the ' Foregrounding ' blog post or the one entitled ' Rough Draft ', please do that first. They're both short, but they matter a lot for what you're about to read. Okay. Done. Enjoy. Zach de la Rocha: "On truth devoured/Silent play in the shadow of power/A spectacle monopolized/The cameras eyes on choice disguised." Rage Against the Machine's single "Guerilla Radio" from their Battle of Los Angeles album is a reaction against the political circus and faux-choice presentations during the 2000 elections. The quote is not in full context (it is much more political than theoretical) here, but it provides a powerful starting block. A little bit of re-punctuation will help to clarify the thrust: "On truth devoured, silent play in the shadow of power [is] a spectacle [that] monopolized the cameras' eyes-on choice disguised." Line by line, we see parallels between how video games are perceived outside o...