A friend tapped me for a project that he knew I couldn't refuse: make a cut of Hamlet for a BYU student production to produce. Actual video footage of my friend, right before talking to me. ( Source ) The catch? This production was going to be James Bond themed. But not as a gimmick; every instance, word, intonation, and gesture that pointed toward spying had to be included in the cut. The focus, then, was that the world of Hamlet was one in which deception and subterfuge reigned, and it was my job to draw that out as much as possible. Thus I gained the unpronounceable title of dramaturge . My job was to not only edit the play (the longest in Shakespeare's canon, at over 4,000 lines, always requires a hefty cut) but to omit the specific parts of the play that didn't remain focused on the spying. After some back and forth--with me trying to make the piece as lean as possible, yet still putting in all that the director wanted--we finally landed on a cut that is curre...
Personal musings of Steven Dowdle