At writers' group tonight, we got to talking about the news that Brandon Sanderson's Cosmere (multi-book spanning cosmology) is being optioned and put toward film franchises. While this is cool news, it got me thinking about what Hollywood producers are aiming to get out of fantasy franchises. With the undeniable success of Peter Jackson's adaptations of The Lord of the Rings , as well as the country's continued fascination with Game of Thrones , there's obviously a connection to well-rendered fantasy worlds that has mainstream appeal. I worry, however, that producers are reading the wrong message. For every Lord of the Rings , there are a dozen Eragon or Percy Jackson films. For every Game of Thrones , there's a slew of Legend of the Seeker -type IPs that get out there, flounder, and fade away. What's different? What sets apart some of the tentpole properties from the rest of the herd? First and foremost, the caliber of the stories has to matter. Whi...
Personal musings of Steven Dowdle