Skip to main content

Good Grief

I suffer from depression.

It took me a long time to self-diagnose that fact, but a lot of what I've read about what other people suffer is there, sitting inside of me. Hamlet's speech "...I have of late, but wherefore I know not..." is one of the greatest descriptions of what it's like to deal with depression that I've ever seen, and is likely one of the reasons that I have long held Hamlet in my heart.

When considering the possibility of treatment--whether it be therapy or medication--I've always been reluctant to commit to anything. Part of it is pride: I want to be able to deal with my difficulties myself. Part of it is ignorance: I don't know what it entails, I don't know if my insurance covers anything (probably not), I don't know how I'll fit fixing me into my schedule. Part of it is fear: I don't know if I can call myself me if I change a piece of me that I dislike.

But isn't that the whole point of personal improvement? To change things you don't like? I didn't like feeling as though I didn't help out enough around the house, so I've taken to doing the dishes. I've started cooking lessons so that I'm not an incompetent boob when it comes to preparing food. I shave and brush my teeth because I look and feel better (I think) when I do that. I extract what I dislike in an attempt to improve.

So why don't I want to do that with my mental illness?

Fear is a bigger factor than I may have let on: I am a writer (though I feel audacious and impostor-syndrome when I say that), but I don't know whence my writing comes. Sure, as a card-carrying Mormon I can say God and even believe that, but saying a source outside of me is not what I'm asking in the first place, so that answer satisfies nothing.

Somewhere inside my broken head--whether it be because of cosmic randomness and the perpetuity of life or because of Divine placement--I have an ability to write. My great fear is that I suffer from a stereotype of artistic curse: Talent for art, but an imbalance that empowers it. While I am confident in that I'm no writing genius, I am not confident that what middling talent I have comes from a place that isn't wrapped in the dark places of my mind.

I know that getting sleep helps me to avoid major depressive episodes, but it's by no means a guarantee. This summer has been filled with sleep--I have the records from my smartwatch to show that much--but the additional stresses of the season and the move have weighed down on me. In fact, I almost broke down into tears the other day when I listened to "Wait For It" from the Hamilton soundtrack.

This is a strange thing for me. First of all, I get mopey, angry (always angry), and frustrated, but I don't become weepy. That's not how my depression manifests. Secondly, I am not a Broadway person. I can count on one hand the number of musicals that I like enough to want to see them, so the fact that a hip-hopperetta about a Founding Father comes through as a powerful influence on my life is unusual.

So why did the song almost have me in tears? I don't know. I was sad. The song, which speaks about ambition, frustration, and fundamental issues of the human condition ("Life doesn't discriminate/Between the sinners and the saints/It takes, and it takes, and it takes, and it takes/And we keep living anyway"), and those things feel more open, more real when I'm in the dark days. But that's all autopsychoanalysis. I don't know anything.

But I wonder if the idea of "good" grief is what I'm most worried about losing. If my brain is missing a little chemical, but as a result I can create something (someday) powerful that touches people and gives a lasting impact on them, then maybe, in that sense, my grief is good.

Comments

Popular posts from this blog

Teaching in Utah

The Utah State Board of Education, in tandem with the state legislature, have a new answer to the shortage of Utah teachers: a bachelor's degree and a test are sufficient qualifications for being a teacher. I have some thoughts about this recent decision, but it requires some context. Additionally, this is a very  long read, so I don't blame you if you don't finish it. Well....maybe a little. But not enough to hurt our friendship. Probably. ARLs and Endorsements Teaching is a tricky career, and not all teachers start out wanting to be in the classroom. Fortunately, there are alternatives for people to become licensed teachers who come from this camp. We have a handful of possibilities, but the two I want to focus on are ARLs (Alternative Routes to Licensure) and endorsements. Both already require the bachelor's degree as the minimum requirement, and since that doesn't change in the new law, we'll set that aside as a commonality. As additional context, h

Dark Necessities

The second of my "music video essays", I'm exploring the single from Red Hot Chili Peppers' newest album, The Getaway , "Dark Necessities". As I did before, I'm posting the video and the lyrics here on the essay, and encourage you to watch and read along. In the case of the Peppers, it's always a good idea to have the lyrics handy, as the lead singer, Anthony Kiedis, has a tendency of mumbling and/or pronouncing words uniquely to create a particular effect--or he's super high, either possibility is there.  The Set Up Here's the video: And here are the lyrics : Coming out to the light of day We got many moons than a deeper place So I keep an eye on the shadow's smile To see what it has to say You and I both know Everything must go away Ah, what do you say? Spinning off, head is on my heart It's like a bit of light and a touch of dark You got sneak attacked from the zodiac But I see your eyes spark Keep the breeze and go Blow

Rage Against the Video Game Machine?

NOTE: If you haven't read the ' Foregrounding ' blog post or the one entitled ' Rough Draft ', please do that first. They're both short, but they matter a lot for what you're about to read. Okay. Done. Enjoy. Zach de la Rocha: "On truth devoured/Silent play in the shadow of power/A spectacle monopolized/The cameras eyes on choice disguised." Rage Against the Machine's single "Guerilla Radio" from their Battle of Los Angeles album is a reaction against the political circus and faux-choice presentations during the 2000 elections. The quote is not in full context (it is much more political than theoretical) here, but it provides a powerful starting block. A little bit of re-punctuation will help to clarify the thrust: "On truth devoured, silent play in the shadow of power [is] a spectacle [that] monopolized the cameras' eyes-on choice disguised." Line by line, we see parallels between how video games are perceived outside o