Skip to main content

Don't Read the Comments

Since October 2016, I've disabled comments on my posts. This decision was made rather hastily and comes primarily from the fact that I didn't want to engage with what others had written in what I had written. That is, I didn't want to spend my writing time writing about what I already wrote when I had more to to write that wasn't being written. Glad we cleared that up.

Anyway, I keep the comments off and, though I post my essays on both Twitter and Facebook, I don't usually engage much beyond a like or favorite of comments these essays generate. This stems from a reluctance I have to engage in public conversation. My teaching style is heavily focused on dialogue, discussion, and exploration of ideas; it is called, after all, Socratic Seminar. So why don't I want the same online? For the same reason I don't leave my door open during class and encourage people to walk in and start talking.

I get the sense that people don't read through a conversation, particularly on Facebook, before launching in with their opinions and interpretations. Reading an article is rare, and though I believe a lot of people--maybe even the majority--who comment on my essays did the reading, I don't trust that they necessarily read all of the preceding comments. And sometimes nothing said before pertains to what a commentator wants to say, which can cause concurrent commentaries. That's too chaotic for me, a person who is used to the control he can exert in the classroom to keep the class on topic or progressing toward an end goal.

That's another thing about the comments I get about these essays: They're topics that mean something to me (otherwise, I wouldn't write about them), but that doesn't mean that I know why I'm writing them. In class, I have, over the course of nearly a decade, refined what I wish to learn, what I wish to teach, and what I wish to have the students investigate and consider. This process lets me use the conversations to further my curricula and come to conclusions--or more questions--that I would like to see the students arrive at. In short, I have a pretty specific sense of direction and purpose in what I do in my class. I don't have that for these essays. I'm too scatter-shot, too raw and unedited in these essays to have that kind of vision.

That isn't to say that comments or feedback wouldn't be valuable--they absolutely would--but only if I were looking to improve, change, clarify, or expand on these ideas. Were I to, say, publish a collection of my essays? Yes, I would certainly solicit feedback.

But with my essays really being a thought-journal that I put out there as an exercise in learning to not fear publication? With this an extension of my thinking that I can give to a small sliver of the world with a simple caveat of "take it or leave it", an as-is record of my thoughts? In that sense, I don't really feel compelled to open up comments on my blog or respond in depth to what's written in the fora in which my thoughts are published.

THAT ISN'T TO SAY that you if you feel like saying something about my essays you now ought not to. You're welcome to speak up, share, or like what I've written. But in terms of me responding to questions or comments? Well, it's not a very likely scenario.

Ideal situation? What I say so excites (or incenses) you that you have to write your own response. I would love it if what I wrote caused more writing, more thinking. Long form (even a short bit of long form, like this essay) writing has its own merits and value, far beyond a quick rant. People don't usually go to Facebook for lengthy screeds anyway, but if you write something large--even if it's to show me where I'm wrong and why I'm the primary cause for the impending apocalypse or whatever--then I think we've both benefited.

Second best? If you want to talk to me privately--email or direct message--about what I've written, that's cool. I'm bad at answering that way quickly, but I don't mind the exchange of ideas on a personal, not-on-display way. That prevents interruptions and people jumping into the conversation whom I neither know nor can read.

A quick example: My uncle took me up on this request after reading my piece on Nephi, and we've gone back and forth a little exploring the hermeneutics of our moralities. He can attest that I'm very slow on the response front, but it has been much more pleasant (for me) to talk in a private, rather than exhibitory, way.

So, yeah. That's why I don't read the comments.

Popular posts from this blog

Teaching in Utah

The Utah State Board of Education, in tandem with the state legislature, have a new answer to the shortage of Utah teachers: a bachelor's degree and a test are sufficient qualifications for being a teacher. I have some thoughts about this recent decision, but it requires some context. Additionally, this is a very  long read, so I don't blame you if you don't finish it. Well....maybe a little. But not enough to hurt our friendship. Probably. ARLs and Endorsements Teaching is a tricky career, and not all teachers start out wanting to be in the classroom. Fortunately, there are alternatives for people to become licensed teachers who come from this camp. We have a handful of possibilities, but the two I want to focus on are ARLs (Alternative Routes to Licensure) and endorsements. Both already require the bachelor's degree as the minimum requirement, and since that doesn't change in the new law, we'll set that aside as a commonality. As additional context, h

Dark Necessities

The second of my "music video essays", I'm exploring the single from Red Hot Chili Peppers' newest album, The Getaway , "Dark Necessities". As I did before, I'm posting the video and the lyrics here on the essay, and encourage you to watch and read along. In the case of the Peppers, it's always a good idea to have the lyrics handy, as the lead singer, Anthony Kiedis, has a tendency of mumbling and/or pronouncing words uniquely to create a particular effect--or he's super high, either possibility is there.  The Set Up Here's the video: And here are the lyrics : Coming out to the light of day We got many moons than a deeper place So I keep an eye on the shadow's smile To see what it has to say You and I both know Everything must go away Ah, what do you say? Spinning off, head is on my heart It's like a bit of light and a touch of dark You got sneak attacked from the zodiac But I see your eyes spark Keep the breeze and go Blow

Rage Against the Video Game Machine?

NOTE: If you haven't read the ' Foregrounding ' blog post or the one entitled ' Rough Draft ', please do that first. They're both short, but they matter a lot for what you're about to read. Okay. Done. Enjoy. Zach de la Rocha: "On truth devoured/Silent play in the shadow of power/A spectacle monopolized/The cameras eyes on choice disguised." Rage Against the Machine's single "Guerilla Radio" from their Battle of Los Angeles album is a reaction against the political circus and faux-choice presentations during the 2000 elections. The quote is not in full context (it is much more political than theoretical) here, but it provides a powerful starting block. A little bit of re-punctuation will help to clarify the thrust: "On truth devoured, silent play in the shadow of power [is] a spectacle [that] monopolized the cameras' eyes-on choice disguised." Line by line, we see parallels between how video games are perceived outside o