Skip to main content

Pedagogy

First off, the word pedagogy is weird. Generously, it sounds like "ped" meaning foot (like in the word pedigree) and "gogy" meaning "baby talk for 'doggy'". It doesn't mean either of those things. My favorite etymology website says that the word comes from the Greek and Latin meaning "education of boys". The way it's used nowadays, however, is the method of instruction--that is, the choices that an educator makes in her classroom, whether it be classroom management, assignments, or interaction with the students, all wrap into the broadest sense of pedagogy.

I'm becoming increasingly unsure of how I approach things from a pedagogical standpoint, however. I've been teaching for nine years straight, to say nothing of the student teaching and substitute teaching I have under my size 34 belt. Existential crises are pretty common for me--paralyzing moments of crippling doubt that make me puzzle over almost every decision* I've made--and generally I push past them by lowering my head, telling my inner critic to shut up, and plowing onward.

There's likely been a lot of collateral damage as a result of that modus operandi. Whom I've injured or insulted, alienated or offended I can never fully know. Students are the most plausible "victims" of my refusal to change my ways or heed the potential warning cries of my crises. Because I "plow onward" with what I do, I'm confident that there are relationships that fail to form, classes that don't feel safe, or lessons that aren't learned.

Today begins the fourth and final quarter for this school year. My Shakespeare class has shifted gears from the theatrical to the literary, and, as a result, I am again in charge (my co-teacher having finished his term last week). On the whole, I'm grateful for the students in that class. They're hardworking, friendly, and happy students.

They also have no capacity to quell their conversations and focus what's going on in class. They're such good friends that they feel the need to constantly feed that friendship, and my patience with their inattentiveness is rapidly fraying. My impulse is to do what I've done in the past: Directly confront the behavior--usually with a heavy dose of sarcasm--with the expectation that they straighten up and fly right.

They don't get it.

No matter what I say, they don't seem to understand that I'm computing and receiving the behavior differently than they intend it. They are committed to punchlines over purpose; without some sort of motivator, it likely will be a struggle for the rest of the year. I don't look forward to that. And it's hard for me to admit that I don't look forward to teaching my Shakespeare class.

My pedagogical instinct says that I should do what I've done in the past--take the students firmly in hand, explain the deficiencies in what is going on, and brainstorm a solution. But I did that with them already. Though we course corrected at the time, whatever strides we made during the first semester have been diverted, and the class is back to where it defaults to.

My frustration with this situation is seeping into me as I write this, and that worries me. I can have an extremely sharp tongue, particularly when I have an expectation that a student isn't meeting, and that can cause create painful results. I don't want to burst on the students. I've done that--my first five years or so, I couldn't go through the whole calendar without exploding on students. Sometimes it was their insipid comments coming at the wrong moment, other times it was a cavalier attitude toward something that deserved greater thought or respect. Whatever it was, I've let loose with the types of verbal tirades that scar a relationship and cause the negative memories that spoil entire classes--or even schooling.

My instinct says to do something with these kids to get them back on track.

I don't know what to do if my instinct is wrong.


---
* The one decision that has never passed through my head is if I made the right choice in marrying my wife. I've doubted basically every other major life choice, but that one doesn't really register. And, no, writing that I've never thought that does not mean I've now thought that, because it isn't a genuine doubt I've harbored. So stop trying to be tricksy.

Popular posts from this blog

Teaching in Utah

The Utah State Board of Education, in tandem with the state legislature, have a new answer to the shortage of Utah teachers: a bachelor's degree and a test are sufficient qualifications for being a teacher. I have some thoughts about this recent decision, but it requires some context. Additionally, this is a very  long read, so I don't blame you if you don't finish it. Well....maybe a little. But not enough to hurt our friendship. Probably. ARLs and Endorsements Teaching is a tricky career, and not all teachers start out wanting to be in the classroom. Fortunately, there are alternatives for people to become licensed teachers who come from this camp. We have a handful of possibilities, but the two I want to focus on are ARLs (Alternative Routes to Licensure) and endorsements. Both already require the bachelor's degree as the minimum requirement, and since that doesn't change in the new law, we'll set that aside as a commonality. As additional context, h

Teen Titans GO!

While I was at my writing retreat this last June, I happened upon two cartoon series that I hadn't seen before. (This isn't that surprising, since I don't watch a lot of TV programming, preferring, as many millennials do, to stream the content I want on demand.) One was The Amazing World of Gumball  and the other was Teen Titans GO! It's hard to say which strikes me as the preferred one--they have differing styles, different approaches, and different animation philosophies. Nevertheless, their scattershot, random, fast-paced humor is completely on my wavelength. Recently, I picked up four DVDs worth of Teen Titans GO!  I am trying to be parsimonious with them, but it's hard not to binge watch everything. While I've seen some of the episodes before, watching them again is almost as enjoyable as the first one. I've found myself adopting some of their style of humor into my teaching, and I'm pretty sure some of my future cartooning will be influenced by t

On Cars 3

Note: To discuss the themes of Cars 3 and look at how they affected me, I have to talk about the end of the movie. In that sense, I'm spoiling the film...or, at least, the film's plot . Don't read if you don't want to (which is always the way it works, obviously), but I feel like there's more to this movie than the story and whether or not it's "spoiled". And though I believe that, I wanted to make this paragraph a little longer to ensure that no one catches an eyeful of spoilers that they didn't intent.  Major spoilers. ( Source ) Pixar's third entry into its Cars  franchise is significantly better than Cars 2 , in large part because Mater isn't around very much at all so the story instantly improves. Okay, that's probably not fair. Cars 2  had some endearing zaniness, and the chance to expand the world of the franchise was a natural step: First film, bring the urban to the rural; second film, bring the rural to the urban. Both