Skip to main content

What Awaits

Where I live, there's just enough light pollution to keep most stars at bay. How interesting it is to consider that technology can push away the ancient photograph of celestial bodies that nightly parades, moving so predictably that we long assumed the stars more permanent than kings, more powerful than rulers. Were a civilization 65 million light years away to look through its telescope at our pale blue dot, they would see the light reflected off of dinosaur hides and feathers.

Maybe that's why aliens haven't visited our planet: They're afraid of our teeth.

The vastness of space is so mind-boggling big that it's sometimes easier to entrench than explore, to recoil instead of redouble our efforts to learn more. That emptiness--the same sky that almost everyone I know sleeps beneath--means something different to each person. How interesting it is to consider that the immensity of the galaxy in which we live, despite its ubiquity, can mean something so separate from any others.

We have only this pale blue dot. Every human who was ever born has died here. Every human ever brought to term drew breath here. Every situation that we can conceive, experience, or verify has happened between our rock and the cold, silent satellite spinning in geosynchronous orbit nearby. The entirety of human history is here, written into genes, scribbled into dust, carved into the pockmarked bosom of the earth.

When I look at the night sky, I see the light that we have created to banish the lights God created over 14 billion years ago. When I consider the length of time we as humans have roamed the land, caught between heaven and earth, errant knaves all, and how obsessed we are during this dream of life to acquiring and applying power, of killing, stealing, self-gratifying, and debasing our best parts...it's enough to drive me into despair.

I taught my students about shell shock today. It is often one of the most sobering and emotional days during our study of the First World War. As so frequently happens for me, I think about the pointlessness of war, the endless ripples of conflict, the perpetuation of misery wrought at the hands who sacrifice the least and stand to reap the largest profit. I think of the crime that we endorse through our propping up of systems of exploitation and destruction. I think of how much we lose every time--every time--we embrace and encourage death over diplomacy, righteous indignation over ruth.

It's times like these when I most desperately hope God is all we claim Him to be--because I don't want the darkness that awaits us to be without light.

Popular posts from this blog

Dark Necessities

The second of my "music video essays", I'm exploring the single from Red Hot Chili Peppers' newest album, The Getaway , "Dark Necessities". As I did before, I'm posting the video and the lyrics here on the essay, and encourage you to watch and read along. In the case of the Peppers, it's always a good idea to have the lyrics handy, as the lead singer, Anthony Kiedis, has a tendency of mumbling and/or pronouncing words uniquely to create a particular effect--or he's super high, either possibility is there.  The Set Up Here's the video: And here are the lyrics : Coming out to the light of day We got many moons than a deeper place So I keep an eye on the shadow's smile To see what it has to say You and I both know Everything must go away Ah, what do you say? Spinning off, head is on my heart It's like a bit of light and a touch of dark You got sneak attacked from the zodiac But I see your eyes spark Keep the breeze and go Blow...

Rage Against the Video Game Machine?

NOTE: If you haven't read the ' Foregrounding ' blog post or the one entitled ' Rough Draft ', please do that first. They're both short, but they matter a lot for what you're about to read. Okay. Done. Enjoy. Zach de la Rocha: "On truth devoured/Silent play in the shadow of power/A spectacle monopolized/The cameras eyes on choice disguised." Rage Against the Machine's single "Guerilla Radio" from their Battle of Los Angeles album is a reaction against the political circus and faux-choice presentations during the 2000 elections. The quote is not in full context (it is much more political than theoretical) here, but it provides a powerful starting block. A little bit of re-punctuation will help to clarify the thrust: "On truth devoured, silent play in the shadow of power [is] a spectacle [that] monopolized the cameras' eyes-on choice disguised." Line by line, we see parallels between how video games are perceived outside o...

The Naked Truth

HEADS UP: I'm talking about nudity, questions of social mores surrounding the exposure of the human form, and including illustrative pictures that could be construed as being inappropriate, particularly if you're of the younger variety. If any of what I mentioned here might bother you, I recommend you skip this one. Going Gaga In 2013, I went to Paris for the first time. While there, I went to the Louvre and looked at some of the most incredible artwork the Western world has created. I saw The Mona Lisa , enormous paintings by Jacques Louis David, and many other impressive, indescribable pieces--artwork that I'd only ever read about before. As I was bopping through the museum (as one does), there was an advertisement for a new, small exhibit by Lady Gaga. The ad had a person, lying in a bathtub, in the pious pose of The Death of Marat by David. I remember wondering what I was actually looking at, since, from a distance, it simply looked like someone had put together De...