Skip to main content

End of Hamlet

I need to rethink how I have students interact with Hamlet (and Hamlet). I have a lot of passion for the play--possibly too much; see picture below--and that means that I take it personally when students don't get as much out of the play as they could.

I do what I can to get them excited. I dress, for instance, in black when Hamlet dies, as part homage, part mourning.

So lugubrious.
I know that students respond to the passion, but when I have them recreate a scene, memorize a monologue, or video record themselves speaking some of the lines, inevitably they feel slapped together, day-before quality. One kid even exulted that he'd memorized his "To be or not to be" speech last night, and was thrilled that he did so well (and he did fine, in all honesty).

I can't decide if I'm too generous with the criteria, or if I'm expecting too much. It's a difficult thing, because I know that Shakespeare, incorrectly taught, will kill any hope of a student finding truth in the Bard's works later in life. On the other hand, if I allow it to be treated too lightly, then the importance of it could be lost as a punchline.

There's no simple answer to this, and the greatest frustration is that I don't know if I can trust myself to change. I know this current version works (or, at least, is passable), but I don't know if I can convince myself to do something different. In other areas, yeah--I experiment all of the time. But Hamlet is my baby, my great love, my strongest anchor to where and what I teach. How can I change that? There's also momentum of expectations to consider: My students have younger siblings, and much of what they remember fondly from my class they transmit to their brothers and sisters, who enter with certain understandings and expectations. I don't want to disappoint those, particularly if I don't know if the replacement choices are worthwhile.

I think I'll need to ponder the way I end Hamlet some more.

Comments

Popular posts from this blog

Teaching in Utah

The Utah State Board of Education, in tandem with the state legislature, have a new answer to the shortage of Utah teachers: a bachelor's degree and a test are sufficient qualifications for being a teacher. I have some thoughts about this recent decision, but it requires some context. Additionally, this is a very  long read, so I don't blame you if you don't finish it. Well....maybe a little. But not enough to hurt our friendship. Probably. ARLs and Endorsements Teaching is a tricky career, and not all teachers start out wanting to be in the classroom. Fortunately, there are alternatives for people to become licensed teachers who come from this camp. We have a handful of possibilities, but the two I want to focus on are ARLs (Alternative Routes to Licensure) and endorsements. Both already require the bachelor's degree as the minimum requirement, and since that doesn't change in the new law, we'll set that aside as a commonality. As additional context, h

Dark Necessities

The second of my "music video essays", I'm exploring the single from Red Hot Chili Peppers' newest album, The Getaway , "Dark Necessities". As I did before, I'm posting the video and the lyrics here on the essay, and encourage you to watch and read along. In the case of the Peppers, it's always a good idea to have the lyrics handy, as the lead singer, Anthony Kiedis, has a tendency of mumbling and/or pronouncing words uniquely to create a particular effect--or he's super high, either possibility is there.  The Set Up Here's the video: And here are the lyrics : Coming out to the light of day We got many moons than a deeper place So I keep an eye on the shadow's smile To see what it has to say You and I both know Everything must go away Ah, what do you say? Spinning off, head is on my heart It's like a bit of light and a touch of dark You got sneak attacked from the zodiac But I see your eyes spark Keep the breeze and go Blow

Rage Against the Video Game Machine?

NOTE: If you haven't read the ' Foregrounding ' blog post or the one entitled ' Rough Draft ', please do that first. They're both short, but they matter a lot for what you're about to read. Okay. Done. Enjoy. Zach de la Rocha: "On truth devoured/Silent play in the shadow of power/A spectacle monopolized/The cameras eyes on choice disguised." Rage Against the Machine's single "Guerilla Radio" from their Battle of Los Angeles album is a reaction against the political circus and faux-choice presentations during the 2000 elections. The quote is not in full context (it is much more political than theoretical) here, but it provides a powerful starting block. A little bit of re-punctuation will help to clarify the thrust: "On truth devoured, silent play in the shadow of power [is] a spectacle [that] monopolized the cameras' eyes-on choice disguised." Line by line, we see parallels between how video games are perceived outside o